The first thins we learnt this project is making a template for a wig. It was important to then do research on this to see the different ways wig templates could be made for different contexts (film, theater etc.). I found from doing this that methods have changed over the years as well as materials, especially with the wise in HD film so the need for less noticeable lace. I looked in a few different books to see some different techniques.
| 
Botham, M and Sharrad, L (1982) Manual of Wigmaking.  3rd
edition. London: William Heinemann ltd.page 60 & 61 | 
| 
Botham, M and Sharrad, L (1982) Manual of Wigmaking.  3rd
edition. London: William Heinemann ltd. page 62 & 63 | 
| 
Botham, M and Sharrad, L (1982) Manual of Wigmaking.  3rd
edition. London: William Heinemann ltd. page 68 & 69 | 
| 
Ruskia, M and Lowery, A (2010) Wig making and styling: a complete guide for theatre and film. Burlington:
Focal Press page 88  | 
| 
Ruskia, M and Lowery, A (2010) Wig making and styling: a complete guide for theatre and film. Burlington:
Focal Press page 89 | 
| 
Ruskia, M and Lowery, A (2010) Wig making and styling: a complete guide for theatre and film. Burlington:
Focal Press page 90 | 
| 
Ruskia, M and Lowery, A (2010) Wig making and styling: a complete guide for theatre and film. Burlington:
Focal Press page 92 | 
| 
Ruskia, M and Lowery, A (2010) Wig making and styling: a complete guide for theatre and film. Burlington:
Focal Press page 93 | 
 
 
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